how to read anti oedipus

He was born in Belgium but become a citizen of France. Desiring-machines make us an organism; but at the very heart of this production, within the very production of this production, the body suffers from being organized in this way, from not having some other sort of organization, or no organization at all. At the end of Malone Dies, Lady Pedal takes the schizophrenics out for a ride in a van and a rowboat, and on a picnic in the midst of nature: an infernal machine is being assembled. Enjoying novels is not always easy. Schreber’s cosmology is not one of metaphor or representation but of the production of desire, of desiring-machines. Here, I’m only focusing on the first section of Chapter One entitled ‘Desiring-Production’. And given a certain machine, what can it be used for? The body with organs or the organ-ized body is the actual body and its parts (organ-machines) as existing in an organization, pattern or routine of actual connections to the actual world. Can we possibly guess, for instance, what a knife rest is used for if all we are given is a geometrical description of it? Unfortunately it is not of them I have to speak, but of her who brought me into the world, through the hole in her arse if my memory is correct. Production (process) does tend to be the key category, since all three “spheres” are themselves produced. Desire is just a product of the overall process it takes part in. Society and every aspect of it is fundamentally integrated into the one process of production (becoming). Our concepts, representations, rules, standards, laws, principles, Symbolic matrixes, codes, overcodes, etc., are what mutilate desire by forcing it to desire the whole instead of the part. No tongue. The schizo is all about making new connections to things whereas the neurotic is attempting to sort through the parental metaphors in his or her mind/unconscious. To what end? Desire in its individuality and its species-being is all about producing the new, which is not fundamentally mediated by language, signifier, representation, metaphor, Oedipus, etc. Hence we are all handymen: each with his little machines. “What does my father want? .” This is because there is always a flow-producing machine, and another machine connected to it that interrupts or draws off part of this flow (the breast — the mouth). Flows make the world go round. This walk outdoors is different from the moments when Lenz finds himself closeted with his pastor, who forces him to situate himself socially, in relationship to the God of established religion, in relationship to his father, to his mother. In capitalism, they are repressed, in part, in order to train us and condition us for capitalist exploitation in the work place. Industry is then no longer considered from the extrinsic point of view of utility, but rather from the point of view of its fundamental identity with nature as production of man and by man. Welcome to r/askphilosophy. The real BwO is produced through the actualizations produced by desiring-machines and their connective syntheses. Flows of traffic. Amniotic fluid spilling out of the sac and kidney stones; flowing hair; a flow of spittle, a flow of sperm, shit, or urine that are produced by partial objects and constantly cut off by other partial objects, which in turn produce other flows, interrupted by other partial objects. Though worded differently, the spirit of here is that of Heidegger’s concept of Dasein’s relation to Being (Nature). There is also the BwO and it is what propels us toward disconnection, break down, suspension of connection to flows. But read it thoroughly. Desiring-machines work only when they break down, and by continually breaking down. New comments cannot be posted and votes cannot be cast, More posts from the askphilosophy community. Unfortunately it is not of them I have to speak, but of her who brought me into the world, through the hole in her arse if my memory is correct.” So now D&G are going to connect Beckett’s work to Büchner’s Lenz. and then to wine . That is, desire produces new connections in every direction that flow on and on; it does not seek to repetitiously play out some root fantasy established early on in life (however, desire does get trapped in representations like this, but only through the intervention of repressive operations). Lenz’s stroll, for example, as reconstructed by Büchner. Even in cases where they used to read each other earlier, in 1974 they stop, perhaps due to the struggle against psychoanalysis waged by Anti-Oedipus. This means that having desire does not necessarily mean being alienated from the Real (nature, body, jouissance, etc.). The “thisness”, haecceity, singularity, etc., of the product serves as a kind of motor force for new productive augmentations. In other words, there is no such thing as a final and fully actualized product. The productive synthesis, the production of production, is inherently connective in nature: “and . Cutting the clinical schizo off from nature is catastrophic. The quote is from his work called The Major Ordeals of the Mind. Above all, it is not a projection; it has nothing whatsoever to do with the body itself, or with an image of the body. It works in terms of conclusions, stops, breaks. You are absolutely right, I should’ve said “as complete as possible”, I’d also need years of reading philosophy to get as deep as possible into this type of readings with the thoroughness they need. When Claude Levi-Strauss defines bricolage he does so in terms of a set of closely related characteristics: the possession of a stock of materials or of rules of thumb that are fairly extensive, though more or less a hodgepodge — multiple and at the same time limited; the ability to rearrange fragments continually in new and different patterns or configurations; and as a consequence, an indifference toward the act of producing and toward the product, toward the set of instruments to be used and toward the over-all result to be achieved. A dehumanized table, nothing cozy about it, nothing ‘middle-class,’ nothing rustic, nothing countrified, not a kitchen table or a work table. The schizophrenic is the universal producer. and then to lips . The mouth connects to steak . I haven't really read anything by either Deleuze or Guattari, but Anti-Oedipus has been something I've thought about diving into for a while. Desiring-production involves both tendencies. We shall not inquire how all this fits together so that the machine will run: the question itself is the result of a process of abstraction. Oedipus trains desire (desiring-machines) for life under the reign of capital. The very distinction between subjective and objective, self and non-self, is not operative here. The schizo object does not express. They are what cause clinical schizophrenia. Heavy, cumbersome, it was virtually immovable. “Idealist” and “monist” in the sense that desire is not essentially and heterogeneously connected to material and concrete reality, but, rather, is a homogenous and incorporeal “substance” that resides in the fantasies of ideality as a free-floating impulse. It is at work everywhere, functioning smoothly at times, at other times in fits and starts. While taking a stroll outdoors, on the other hand, he is in the mountains, amid falling snowflakes, with other gods or without any gods at all, without a family, without a father or a mother, with nature. Going to the limit, going to the extreme, when it comes to the BwO, involves mute autism. That is why desiring-production is the principal concern of a materialist psychiatry, which conceives of and deals with the schizo as Homo natura. We cannot, we must not attempt to describe the schizophrenic object without relating it to the process of production. Desiring-machines are drives. Contemporary works by other authors that would also be relevant are Pierre Klossowski's Nietzsche and the Vicious Circle, Maurice Blanchot's The Infinite Conversation and Jean-François Lyotard's Discourse, Figure. 37 Full PDFs related to this paper. When Claude Lévi-Strauss defines bricolage he does so in terms of a set of closely related characteristics: the possession of a stock of materials or of rules of thumb that are fairly extensive, though more or less a hodgepodge — multiple and at the same time limited; the ability to rearrange fragments continually in new and different patterns or configurations; and as a consequence, an indifference toward the act of producing and toward the product, toward the set of instruments to be used and toward the over-all result to be achieved. Basically, the analytic setting traps us in a closed system of representations: x is a metaphor for your mother, y is a metaphor for your father (the analyst serves to reaffirm our oedipalization via psychoanalytic interpretation). The productive synthesis, the production of production, is inherently connective in nature: “and . I would second that two months of preparation is not nearly enough to tackle anti-Oedipus. Schreber described his second battle with schizophrenia in his book Memoirs of a Nervous Illness. “I love everything that flows, even the menstrual flow that carries away the seed unfecund.” Amniotic fluid spilling out of the sac and kidney stones; flowing hair; a flow of spittle, a flow of sperm, shit, or urine that are produced by partial objects and constantly cut off by other partial objects, which in turn produce other flows, interrupted by other partial objects. No! My commentary remarks are my spontaneous interpretations of difficult passages, which means that they are far from authoritative. I have seen that “The order of thing” and some understanding of Lacan and Freud are obviously necessary, but I’ve also read that Spinoza’s ethics would also be good for me to understand Deleuze’s and Guattari’s points. One organ-machine (input) connects to an energy-machine and its flow (output). . Production as process overtakes all idealistic categories and constitutes a cycle whose relationship to desire is that of an immanent principle. A Reader's Guide to Anti-Oedipus If you are a beginner and want to tackle Deleuze, I would recommend you (as I tried It myself): read the stuff that was important to Deleuze. . Yes! If you can read and understand the Ethics in two months: Chapeau! Flows of energy. If the schizo makes a connection to a flower, produces a desiring-machines (product), then this is a new connection to Nature itself, since the flower is already a set of machines (chlorophyll-machine, photosynthesis-machine, etc.) D&G are basically working out an ontology of machines. Without solar energy there would be no flows of milk, of shit, etc. In this section, D&G showed how we get from desiring-machines, production, connective synthesis, etc., to the BwO, antiproduction. One that produces new things. This creative process of production, this cycle of the new, is the immanent and fundamental principle of desire. Desiring-production is this circle that produces the new. Its top surface, the useful part of the table, having been gradually reduced, was disappearing, with so little relation to the clumsy framework that the thing did not strike one as a table, but as some freak piece of furniture, an unfamiliar instrument . epz deleuze and guattaris anti oedipus a readers guide readers guides Dec 09, 2020 Posted By Corín Tellado Public Library TEXT ID d69c6f4e Online PDF Ebook Epub Library library althusserian marxism anti oedipus is an important and exciting yet challenging piece of philosophical writing ian buchanans readers guide deleuze and guattaris What ought to go inside the Oedipal triangle, what sort of thing is required to construct it? D&G express the complicatedness of Oedipus in a series of perplexing questions, which they will attempt to answer in the rest of the book (it would be a good idea to go about providing answers to each of these questions, since that would amount to a basic summary of D&G’s argument). This mostly means his '60s works, including the Nietzsche monograph I mentioned and his Expressionism in Philosophy: Spinoza. His eyes connect to parts of the mountains, which give him a charge (a flow or rush of wonder, excitement, awe). Understanding this quote really necessitates more context, i.e., actually reading Beckett’s story. The fact that each organ machine “interprets” the world suggests a certain sentience on their part. . Anyway, for D&G, humankind is not the opposite of nature. History itself can change the artwork. Lenz’s desire is not the desire of the Other (father). Not man as the king of creation, but rather as the being who is in intimate contact with the profound life of all forms or all types of beings, who is responsible for even the stars and animal life, and who ceaselessly plugs an organ-machine into an energy-machine, a tree into his body, a breast into his mouth, the sun into his asshole: the eternal custodian of the machines of the universe. It seems like some random observation. The table continues to “go about its business.” The surface of the table, however, is eaten up by the supporting framework. My question concerns whether or not what they about the three “spheres” also applies to the three syntheses.
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